CONCEPTUAL ANALYSIS article
Front. Sociol.
Sec. Gender, Sex and Sexualities
Between Utopia and Precarity: Subsistence Labor as Embodied Technology in Indian Ecological Documentaries
School of Social Sciences and Languages, VIT University, Vellore, India
Select one of your emails
You have multiple emails registered with Frontiers:
Notify me on publication
Please enter your email address:
If you already have an account, please login
You don't have a Frontiers account ? You can register here
Abstract
This paper analyses two Indian documentaries—Re-Imagining Leadership (2022) and Uttarakhand Women End Water Woes (2021)—to interrogate how the state-sponsored and non-governmental organisation-led discourses of women empowerment and environmental conservation frame women's ecological labour, particularly in the state of Uttarakhand, India. While the 2022 documentary presents a near-utopian model of women-led rural governance promoting subsistence economies, its narrative subtly tucks away the reliance on state support, frequently hinted at by the women leaders. This complicates its vision of a sustainable-financial independence and the promise of probable autonomy at the centre. The latter, documenting grassroots water revival initiatives by non-governmental aid, similarly highlights women's labour as an empowering solution for systemic failures and presents it as an embodied technology for guaranteed success. Drawing on Feminist Postcolonial Ecology, Feminist Science and Technology Studies and Postcolonial Development theory, I argue that these narratives aggrandise women's subsistence practices/labour as 'embodied technologies' to sustain ecological viability, hinging on a promise of increased agency at the centre. By contrasting romanticization of women's care work as 'empowerment', the study exposes the tensions between celebrating localised women empowerment and the state-led limitations in assuming environmental responsibility's systematic obscuring of structural dependency and land dispossession. The study, therefore, contributes to debates on feminist sociological debates on gender, decolonial sustainability, and the political economy of visual storytelling.
Summary
Keywords
documentary film, Ecofeminism, Gender and labor, neoliberal development, Spiritual Greenwashing
Received
12 February 2026
Accepted
22 May 2026
Copyright
© 2026 Sundriyal. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
*Correspondence: Ankita Sundriyal
Disclaimer
All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.